Example: I got like 5 routines floating in my head where stuff ends up under other stuff. I got this coin routine where three coins one by one end up under the purse. I love the purse as it is a completely motivated prop having around coins. Cards need one hell of a motivation. Also with cards there is "floating" going on the purse doesn't float. My purse has a metal frame so it will naturally create a sound when put down on a hard surface. That sound will completely camouflage any secret placing of a coin. So using a purse makes it possible to do the routine on a hard surface. At the end you can put the coins into the purse and so on. I've been using that idea for a few years now. Darn practical I tell ya!
Another routine would be an ungimmicked Chop Cup routine. So a ball would go through the cup in a variety of ways. Through the table, through to bottom, the side, from the pocket and so on. The main premise was that I have a little assistant who helps me doing all the magic. And that would turn out to be my final load, a stuffed mouse. The main creative point would be the premise. I do that routine for kids and they love it.
The third thing would be the heavily gimmicked version of the Chop Cup by Alex Hecklau. His premise is about how gamblers cheat and so on. I changed it so I explain that magic works by being one step ahead. I show the die and have it roll a few times, so people see that the die rolls all numbers. Then I cover the die asking the audience if they remember what number was up. Whatever they say I lift the cup to reveal the die gone. Then I take the die from my pocket saying "You thought it was about the numbers... it was about stealing the die. You couldn't catch me because you mind was occupied with the other task... let's continue" Then I somehow explain how I steal the die. After having it openly placed in my pocket I reveal that it is back under the cup. The patter continues: "You see, you thought it was about me stealing the die... and again you couldn't catch me putting it back, only because I was one step ahead" Than I seemingly explain how the die comes back only to set up the next phase... you see where I'm going with this. The premise is about how magic works... the creative point again is the premise.
The fourth idea is a take on the Benson Bowl. Mainly the last ball. The audience has seen two of the balls go from the table under the bowl. The last ball would seem pretty anticlimactic if it went under the bowl the same way. So I change the structure by offering a solution, a funny solution. Here it is for your pleasure:
The magician says that he will explain how it works with the last ball. He picks up the ball with his right hand and false transfers it to the left hand. He picks up the wand with the right hand and says that the ball "travels" along the left arm, (wand points along the way) up to the shoulder, behind the neck. To prove this ridiculous claim, the left hand is opened and seen empty. The left hand takes the wand and the right hand goes up behind the neck, producing the ball from there.
The wand is put on the table, as the ball is shown, then false transferred to the left hand. The left hand pretends to put it behind the neck, is shown empty afterwards and then picks up the wand again.
The claim continues. The ball "travels" from the neck down the right arm (again wand point out the supposed path) into the right hand. The right hand opens to prove the statement.
The wand is put on the table again, as the right hand shows the ball and transfers it to the left hand. The right hand goes to the pocket and picks up an extra ball as you claim that there is a hole in the pocket. To prove it the right hand comes out (ball hidden) and the left hand does a shuttle pass to the right hand. "Just watch" the magician claims as he visually puts the ball in his pocket and the ball is plucked right from the outside of the trousers' pocket with the left hand.
"It goes even further" the magicians says, as the right hand comes out of the pocket empty. The ball is false transferred from the left to the right and again the right hand goes in the right pocket.
The wand is picked up with the left hand. And the motion of the ball travelling is pointed out. All the way down the right leg. The right hand comes out of the pocket and is casually shown empty.
The wand is tossed in the right hand and the ball produced with the left hand form the foot area.
The wand is placed in the right pocket (sticking out) and the ball transferred to the right hand. "And now comes the most difficult part of that trick" (looking at the bowl)
The ball is false transferred from the right to the left hand, the left hand goes down to put it back in the "foot area" as the right hand goes for the wand in the right pocket ditching the ball in the pocket for good.
The left hand is shown empty, the right hand is shown empty (aside from the wand of course) and again the pointing out of the assumed path of the ball is shown with the wand. This time from the foot area across the floor (hilarious I think) to the table, up the table's leg through the table's surface, finally pointing at the bowl and lifting it, to show it has arrived.
And there is a fifth idea... but I spare you this one.
You can see that I cannot put those in one show. No way too darn similar, even though they are different. Take those ideas if you need to. But let's make a deal. If you take one of those ideas you must promise to never ever use stock patter again. Never do a trick right out the box and never ever use the suggested handling. Always add your own.
PS: Using a blue silk instead of a red silk to vanish is not creativity.